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Giacinto Scelsi - Arne Deforce - Trilogia, I Tre Stadi Dell’uomo album flac

  • Performer: Giacinto Scelsi
  • Title: Trilogia, I Tre Stadi Dell’uomo
  • Size FLAC ver: 1635 mb
  • Date of release: 2007
  • Style: Contemporary, Avantgarde
  • Other formats: MIDI ADX FLAC WAV RA MP1 AC3
  • Genre: Classical
  • Rating: 4.7 of 5
Giacinto Scelsi - Arne Deforce - Trilogia, I Tre Stadi Dell’uomo album flac

Tracklist

Trilogia, I Tre Stadi Dell' Uomo
I Triphon (15:17)
1 Jeunesse 6:12
2 Énergie 3:53
3 Drame 5:12
II Dithome (17:17)
4 Maturité - Énergie - Pensée 17:17
III Ygghur (18:36)
5 Vieillesse 8:15
6 Souvenirs 4:21
7 Catharsis/Libération 6:00

Companies, etc.

  • Phonographic Copyright (p) – æon
  • Copyright (c) – æon
  • Published By – Éditions Salabert
  • Recorded At – Concertgebouw, Brugge
  • Made By – VTV Optical Discs
  • Distributed By – Harmonia Mundi

Credits

  • Art Direction – Damien Pousset
  • Art Direction, Recorded By, Mixed By – Arne Deforce, Yannick Willox
  • Cello – Arne Deforce
  • Composed By – Giacinto Scelsi
  • Liner Notes – Arne Deforce
  • Liner Notes [Translation] – Charles Johnston, Vivianne Mertens
  • Photography By – Dolorès Marat, Marleen Devos
  • Producer – Kaisa Pousset

Notes

Trilogia, I Tre Stadi Dell'Uomo, pour violoncelle seul
Triphon
Dithome (1956-1957)
Ygghur

Total Time: 51'10.

Tracks 1 and 3 are performed using a special metal sordino.

Recorded: 16-17 /12/2006 et 13/01 /2007, Concertgebouw, Bruges (Belgium).

℗ & © æon 2007

Barcode and Other Identifiers

  • Barcode: 3 760058 367483
  • Matrix / Runout: GIACINTO SCELSI / ARNE DEFORCE - AECD 0748
  • Mastering SID Code: IFPI LK46
  • Mould SID Code: IFPI 5M08
  • Rights Society: SACEM SACD SGDL SDRM
  • Other (SPARS Code): DDD


Listen to Scelsi: Trilogia, I tre stadi dell'uomo (for cello) by Arne Deforce on Deezer.

Maturité-Energie-Pensée.

Giacinto Scelsi: Trilogia, I Tre Stadi dell'Uomo. Trilogia (Die drei Lebensalter des Menschen), for solo cello. Maturité-Energie-Pensée.

The demands on the player (Belgium's Arne Deforce in the Aeon recording) are extreme by any standards. The orchestral disc is the most varied of the three, and offers perhaps the best introduction to Scelsi's strange, quasi-mystical world.

Dithome (1956-1957) 4. Maturité - Énergie - Pensée 17:17. III. Ygghur (1965) 5. Vieillesse 08:15 6. Souvenirs 04:21 7. Catharsis/Libération 06:00. Arne Deforce - Cello. Скачать с помощью Mediaget. com/Arne Deforce - Giacinto Scelsi: Trilogia, I Tre Stadi Dell'Uomo (2007).

Cello – Arne Deforce. Composed By – Giacinto Scelsi. Liner Notes – Arne Deforce. Liner Notes – Charles Johnston, Vivianne Mertens. Photography By – Dolorès Marat, Marleen Devos. Trilogia, I Tre Stadi Dell'Uomo, pour violoncelle seul Triphon (1956) Dithome (1956-1957) Ygghur (1965). Tracks 1 and 3 are performed using a special metal sordino.

By Giacinto Scelsi, Arne Deforce. 1. I Triphon: I. Jeunesse. Listen to Scelsi: Trilogia, I tre stadi dell'uomo (for cello) in full in the this site app. Play on this site.

Trilogia - I tre stadi dell'uomo, Part I 'Triphon': II. Energie. 3. Trilogia - I tre stadi dell'uomo, Part I 'Triphon': III. Drame. 4. Trilogia - I tre stadi dell'uomo, Part II 'Dithome': Maturité - Energie - Pensée. Trilogia - I tre stadi dell'uomo, Part III 'Ygghur': I. Vieillesse. 6. Trilogia - I tre stadi dell'uomo, Part III 'Ygghur': II. Souvenirs.

Tracklist: I. Triphon (1956) 1. Jeunesse 06:12 2. Énergie 03:53 3. Drame 05:12. II. Dithome (1956-1957) 4.

Strona Główna Muzyka Klasyczna Scelsi Giacinto Giacinto Scelsi - Trilogia, I Tre Stadi dell'Uomo (2006). Giacinto Scelsi - Trilogia, I Tre Stadi dell'Uomo (2006). Wtorek, 02 Lipiec 2013 16:06 Wpisany przez bluesever. Ocena użytkowników:, 1 Słaby Świetny. Arne Deforce – cello with special metallic sourdine. A truly singular figure in the realm of classical music, Giacinto Scelsi lived most of his creative life nearly completely invisible to the musical world. When his extraordinary oeuvre was properly discovered in the mid-eighties, he was already eighty years old; he died in 1988 mere months after a triumphant, well-received series of premieres of his large orchestral works, some of which had awaited performance for a quarter of a century


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